Filmmaker · Writer · Educator
"Grown-ups never understand anything by themselves, and it is tiresome
for children to be always and forever explaining things to them."
— Antoine de Saint-Exupéry, The Little Prince
About
In 1999, Micheal Flaherty co-founded Walden Media with a single conviction: that great stories — faithfully told — change what people believe is possible. Over fifteen years, Walden produced more than thirty films grossing $3.5 billion worldwide, from Holes and Charlotte's Web to The Chronicles of Narnia and Amazing Grace.
Before Hollywood, he designed curriculum for children in Boston's most underserved schools. After Walden, he became Filmmaker in Residence at Wycliffe Hall, University of Oxford. The through-line is the same: stories as the most reliable engine for forming the people we hope the next generation will become.
Illustration by Christian J. Flaherty
What I Do
Films that reached hundreds of millions of people. Campaigns that broke world records and moved parliaments. Writing that changed laws and started conversations. The work spans forms — the conviction behind it does not.
Filmography
From Holes to The Chronicles of Narnia to I Can Only Imagine — thirty films, one company, one standard of storytelling.
Campaign Strategy
547,826 readers. 250 MPs in Ottawa. A church campaign that hit 5,000 schools. The stories behind the campaigns that made the films matter.
Published Work
The Wall Street Journal, National Review, Hillsdale College, Deseret News. Stories about power, culture, education, and the films that change them.
Lectures & Addresses
BYU's Marriott Center. Hillsdale College. Oxford's TORCH programme. Harvard. Notre Dame. The rooms where the conversations that shape culture begin.
Wycliffe Hall, Oxford
Filmmaker in Residence at the University of Oxford — building the next generation of storytellers who understand that beauty, truth, and goodness are not in competition.
Audio Journalism
Raven 23 as proof-of-concept. The Poisoned Chalice in development — the story of the Rushdie fatwa and its geopolitical consequences, told episode by episode.
Campaign Story No. 1
December 13, 2006. At noon Eastern, across 2,451 locations in 50 states and 28 countries, more than half a million readers — most of them children — opened to the same page of E.B. White's Charlotte's Web and read the scene where Wilbur the pig first meets Charlotte.
The previous Guinness world record for simultaneous reading was 155,528 people reading a Wordsworth poem in the U.K. Walden Media shattered it by more than three times — two days before the film's theatrical opening.
Campaign Story No. 2
The Amazing Grace campaign for the 200th anniversary of the British abolition of the slave trade was the most strategically sophisticated in Walden's history. Before the film opened in the U.S., there were pre-release screenings in Ottawa attended by more than 250 Canadian MPs and their staffers — followed the next day by a screening for 150 pastors and church leaders.
Asbury College produced a promotional DVD that was distributed to faith leaders across the United States and Europe. The World Evangelical Alliance launched a dedicated resource website. 5,000 churches organized screenings on opening weekend.
As Others Have Said
"That success, coupled with an ability to consistently march to a different beat, makes Micheal Flaherty one of the most compelling figures in Hollywood."— Deseret News, 2011
Get In Touch
For film and marketing projects, speaking inquiries, or writing commissions.
[email protected]